Photoshop 7, Wacom Cintiq, desperation sandwich and a cuppa joe
Why the world still works.
Ever come across something that shows that people are worthwhile inspite of what the evening news doles out that argues the contrary? I stumbled onto this thread and I was sure this was a prank with a wicked funny punchline at the end or something. The joke failed to materialize as the details read on...
" As some of you may or may not know. One of the administrators here, Rick Cortes (HellboyOne), suffered from some sort of stroke and was in the hospital for a week. After numerous tests, and several medications during his stay, he was able to return home. Now he’s better health wise, but just got the bill recently, and was floored. So the members the Hellboy.com forums and The Drawing Board forum (two of the forums that he regularly frequents) have started a fundraising project to help put a dent in his medical expenses he incurred."
Check out the The Drawing Board
and Hellboy.com's forum.
We wish you a speedy recovery, Rick. Drawing on the way.
Go and damn the torpedoes.
I got asked to do a commando job that has the potential to grind me to dust. The upside is that I get to tell a story and stage the dickens out of something that I know I can kick some royal a** in. The ratio of how much pain something's going to be versus what gains you can walk away with usually promises a lot of front-loaded pain. The gains may be as meager as being able to say that you tried it. That should be enough, shouldn't it?
Like all humans, I like naps. You know the kind. The ones you can't take during the work week. The ones that you say will be there for you upon retiring (whenever that is). The ones that call to you when there is a pile of human politicking, drudgery and toxic bruising awaiting you after your morning coffee. Sigh. I do understand that my mortality is creeping up on me and it doesn't even bother to sneak up anymore, it thrashes the furniture and rattles the cupboards making sure I understand that it's a permanent resident. I got so many runs at this left before hips give out and memory sputters till what's left to me is just that: naps.
So, inhale deep and jump in, I said to myself, because I'm a sucker for missions. And odds are that if this is in front of me then the fates had their time snickering at the comedy about to ensue and they've figured out that I know this lesson by now: Move forward or just wave at the parade from the bleachers.
When I see portfolios I see so much of the production boards from shows people have worked on. Stacks of boards drawn on model, with dialogue written by other writers and staged according to the style of the show or director. You see where I'm headed with this. With those samples I can't see who the candidate really is. What stories do you tell when you tell stories? Have you done a reel of those ideas? What characters are you fascinated with? Did you do a scene of them? Writing? This is the same way I am not able to see the real artist from clean-up work done of a drawing. Where's the thought process? What jumps at me are mostly the small, rough stories of some character that I have never seen before but is fascinating. I mean, if this were a storybook at a bookstore would I be compelled to read it?
Suggestion # 12
Don't look for Suggestions 1-10. There aren't any. Eleven sounds like a good number to jump to. So, sue me.